German Artist Adolf Uzarski (1885 - 1970) designed this stunning charcoal drawing lithograph print on paper, depicting two riders in a wild dance or fight. This drawing is part of a set of five lithographs made to illustrate scenes from the 14th Century Tutinama, Persian series of 52 stories also known as "Tales of the Parrot." 
Tales of adventures told by a parrot, night after night, for 52 successive nights, are moralizing tales to persuade its owner not to commit adultery act with a lover in her husband's absence.
Hand-written signature on bottom right corner: "Uzarski - 19".
The lithograph is ornate with a contemporary wood frame with acrylic glass protection.

We have a set of five different pieces from the same artist. 
Please inquire if you have an interest in buying multiple to make a grouping (check the ambiance picture with two pieces.)
About: 
Adolf Uzarski (1885 - 1970) was a German writer, artist, and illustrator associated with the "New Objectivity Movement."
He was born in Ruhrort bei Duisburg (1885) and studied at the Cologne School of Architecture before enrolling in 1906 at the Düsseldorf School of Arts and Crafts. Before World War I, he exhibited in Berlin and Hagen and became a successful commercial artist. While directing the advertising department of the Tietz department store in 1916–17, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death). Beginning in 1919, he exhibited with "Das Junge Rheinland" (Young Rhineland), of which he was a founding member. This stylistically diverse group, which included Arthur Kaufmann and Herbert Eulenberg, was united only by their rejection of Academic art.
Active as a visual artist and also as a writer of poetry and fiction, Uzarski illustrated his books and those of others. During the Weimar years, he was one of the artists championed by the Düsseldorf art dealer Johanna Ey until a rift between them in 1923, after which Uzarski left the "Young Rhineland" group to form the "Rheingruppe" (Rhine group), with whom he exhibited from 1925 to 1930.
His art was caricatural in style and sharply satirical of the bourgeoisie society. 
In 1942, condemned as a degenerate artist by the Nazis, he was forbidden to paint and hid in Robertville in Belgium. At the end of World War II, Uzarski returned to Düsseldorf and continued his career. He was the subject of a retrospective exhibition at the Berlin Academy of Arts in 1967.
Adolf Uzarski died in Düsseldorf in 1970.